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  • Nice post, I’ve been talking about that book since I read it awhile ago. I found it totally fascinating and inspiring. I liked the example of the Canadian hockey teams and how the entire roster was born within three months of each other. While that’s a passive example, the point is that seeking out even a small opportunity (and keeping your eyes and ears open) can lead to something much greater down the road. There are a million ways it can manifest itself regardless of age in photography and life. One professional example for me was how a small magazine assignment led to a much greater business relationship, taking my career in a new direction.

    In photography and the arts, it applies to both business opportunities and creativity. I think that the new generation (I’m 33) of photographers will certainly have different opportunities than I did when I came out of school, but I’m not sure they’re able to recognize and respond to them like someone with more experience would be. Interesting dilemma.

  • I too have been thinking about the whole outliers thing and how it relates to photography. I really believe in the age of digital photography people have been able to shoot a lot more and more often as well. While photography like any other activity or sport, repetition is the key to getting better.

    So while back in the day while I shot film during a shoot I would fire away a modest 10 rolls per shoot (on average) which equates to about 100-160 photos depending on which camera I used that particular day.

    In terms of a numbers game I shoot about well over 2000 frames or more per shoot now, for the last 3 years since I’ve really made the switch to digital . So I think coming up in the digital age can for sure accelerate the process of “getting better.”

    The idea of repetition isn’t the only factor that makes people get better but as Gladwell suggests the ideas of your surrounding, upbringing, access to resources etc. all play an important role in the success of the individual.

  • Michael and Edwin,

    Thanks you both for the great comments. Glad I wrote this part two to the original post. The notion of shooting more frames and whether or not this makes a difference in our skill level is also very interesting. Definitely something to think about.

  • Hey Emily, yeah that’s definitely an interesting question.

    I think that each generation (and lets say generation meaning every 5-10 years) of new photographers faces a world that favors certain skill sets. The kid with ADD that was born in 72 and was bored out of his mind processing film in his high school photo lab may have turned into a hot shot if he was born in 87 and was taking digital imaging when he was 17.

    So that’s to say… I think the perfect year/month combo has a lot to do with the personality and approach that each individual photographer brings to the table.